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36.拍子的掌握

36.拍子的掌握

本文翻譯自網頁「shakuhachi tips」(2002. Aug)
http://www.kotodama.net/shakuhachi/tips.html
原作者:柿堺香
英文翻譯: Zachary Braverman
中文翻譯: 麥浪
中文校稿: 琰烺(陳佩筠)
版權所有:國際尺八研修館---柿堺香老師


基礎篇---第36篇:拍子的掌握

    經常聽說,古典本曲的旋律是自由的。這樣的說法基本上是正確的,但是卻也引起一些常見的誤解,因為有一些人會將之解釋為「他們可以用他們所喜歡的老方式來吹奏古典本曲」,然而那是偏離事實的。

    的確,古典本曲確實是不必依循既定的模式。但是,在所有的本曲中的許多小節,如果你節拍失準了,那麼這些小節所要呈現的感受,將會殘缺不全。

    本曲中有一種旋律型態,是依照底下數學式的模式來進行的:1…1/2…1/4…1/8…,等等。在本曲中,這樣的模式到處都看得到,很有可能比你目前為止所看到的還要多。例如,它出現在“mawashi-yuri”“Hi—Hi-Hi-Hi-I---”小節吹奏技巧中,還有其它許多的例子。

    大部分的吹奏者,並沒有以正確的和應該要夠快的方式加快節奏。他們逐漸地加速,因此卻失去了該小節應有的效果。此種旋律模式可以用有一種方法來想像它,那就是想像著一顆彈跳的球。每一次的彈跳會越來越接近地面。為了創造這樣的效果,第一次的彈跳要比一般來得久,接下來則要越來越短。

    如果你掌握了此種模式的感覺,並且能夠在不同的技巧中應用,那麼你的本曲吹奏會越來越生動。就不會再有人說 --- 聽尺八吹奏,會讓他們想睡著。


B-36.1…1/2…1/4…1/8…
It is often said of koten honkyoku that they have “free rhythm.” While this statement is fundamentally true, it also invites frequent misunderstanding, for people have a tendency to interpret this as meaning they can play honkyoku any old way they like. Nothing could be further from the truth.


It is true that there is not fixed rhythm to follow, but there are numerous places in all honkyoku where, if you miss the timing, the general feeling of the piece will fall apart.



There is a kind of rhythmic pattern in honkyoku that follows this mathematical pattern: 1…1/2…1/4…1/8… and so on. This pattern appear all over in honkyoku,probably in more places than you’ve noticed so far. For example, it appears in the “mawashi-yuri” technique, the “Hi—Hi-Hi-Hi-I----“ phrase, and numerous others.



Most players do not speed up in the right way and as much as they need to. They speed up gradually, which looses the effect of the phrase. One way to get the image of this pattern is to imagine a bouncing ball, each successive bounce getting closer and closer to the ground. In order to make this effect, the beginning bounce has to be longer and the later bounces shorter than most people are used to playing.



If you master the feeling of this pattern and can apply it to the various techniques where it appears, your honkyoku playing will become more alive. No more will people say that hearing shakuhachi makes them sleepy.


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