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39.行、段和換氣

39.行、段和換氣

本文翻譯自網頁「shakuhachi tips」(2000.Sep)
http://www.kotodama.net/shakuhachi/tips.html
原作者:柿堺香
英文翻譯: Zachary Braverman
中文翻譯: 麥浪
中文校稿: 琰烺(陳佩筠)
版權所有:國際尺八研修館---柿堺香老師


基礎篇---第39篇:行、段和換氣

    許多人會認為古典本曲一段樂譜的行尾,是一段樂句的結尾,尤其是因為你經常在行尾換氣。這也是為什麼,有人在樂譜兩行之間換氣的原因。

    然而,通常行尾的停頓處,未必就是此一樂句的段落,它可能在任何地方。這一點,在吹奏古典本曲時,並不一定很明顯,所以此問題應該要審慎考量。

    而哪裡才是樂句的開頭和結尾呢?要在哪裡做一個深長緩慢的換氣才恰當呢?有時候,為了讓你對樂句更加了解,會把一個長句寫成兩行。

    但即使寫成兩行,即使此處有個換氣,此兩行應該常常被當作一段長樂句看待。相反地,有時候,即使被寫在一行很長的樂句中,但如果確實是兩段分開的樂句,也可以寫成兩行較短的樂句。

    這帶來的問題是:要如何以及在哪裡換氣?在上面的例子裡,在確實是組成一個具音樂連貫性樂句的兩行之間進行換氣,你要如何換氣?

    在這個例子中,你必須去做一個簡短快速的換氣,使得你能吹完該段樂句,但不可花費時間,以免導致失去了樂句的連續性。有一些地方,你則可以比較從容地換氣。

    透過這個方式,注意如何換氣,有助於增進你去覺察哪裡是樂句的結尾和開始,反之亦然。



B-39.Lines,Phrases, and Breathing


Many people assume that the end of the line is the end of a phrase in koten honkyoku, especially because you often take breaths at the end of a line. This is why people often take their time in breathing in between lines.


However,it happens often that the break at the end of a line may not be the break of the phrase, which may be elsewhere. These are not always obvious when playing koten honkyoku, so the issue deserves careful consideration.


Where is the beginning and end of a musical phrase? Where is it OK to take a long,slow breath? Sometimes it can improve your understanding of a phrase to write two lines as one long line.


Even though they are written on two lines, and even though there is a breath between them, these two lines should often be treated as one long phrase. Conversely,sometimes what is written in one long line can also be written in two shorter ones, if they are actually two separate phrases.


This brings up the question of how and where to take breaths. In the example above of two lines with a breath in between them actually constituting one coherent musical phrase, how do you breathe?


In this case you should take a short, quick breath to enable you to finish the phrase, but not take your time so that you lose continuity. There are other places where you can take your breaths much more leisurely.


In this way, paying attention to how you take in your breaths can help you improve your awareness of where phrases begin and end, and vice versa.

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