查看完整版本: A-22.Checking Your Pitch檢核音準

麥浪 2015-6-20 08:06

A-22.Checking Your Pitch檢核音準

[font=Helvetica, sans-serif][size=14pt]"shakuhachi tips"
[/size][/font][b][font=新細明體, serif][size=14pt]原作者:柿堺香老師[/size][/font][/b][b][font=LYJ_JianPU][size=14pt] ([/size][/font][/b][font=Arial, sans-serif][size=14pt]Kaoru Kakizakai[/size][/font][b][font=LYJ_JianPU][size=14pt])[/size][/font][/b]
[b][font=新細明體, serif][size=14pt]英文翻譯[/size][/font][/b][b][font=Helvetica, sans-serif][size=14pt]: Zachary Braverman[/size][/font][/b]
[b][font=新細明體, serif][size=14pt]進階篇[/size][/font][/b][b][font=Helvetica, sans-serif][size=14pt]22[/size][/font][/b][b][font=Helvetica, sans-serif][size=14pt].[/size][/font][/b]
[b][font="][size=14.0pt]June1999[/size][/font][/b]


[size=14pt]A-22.Checking Your Pitch[/size][b][font=Verdana][size=14.0pt]檢核音準[/size][/font][/b]


[font="][size=14.0pt]I've often written about the need for correct pitch in this space. I've written that a tuner is useful, but there are also ways to practice or confirm correct pitch using your own ears. These techniques are more demanding than using a tuner,but very beneficial for your practice both in terms of playing and in training your ear. [/size][/font]


[font="][size=14.0pt]1)Practice playing the same pitch with different fingerings. [/size][/font][size=14.0pt][/size]


[font="][size=14.0pt]For example, San-no-U (only hole three open, kari) and Hi-meri have the same pitch,but different fingerings and very different color.[/size][/font]


[font="][size=14.0pt]Another example is 4-5-no-Ha (open 4 and 5, kari) and Tsu-meri, the first of which is extremely strong and the second very subtle. [/size][/font]


[font="][size=14.0pt]Try substituting these notes in phrases where they apper in actual songs. If the phrase Chi --> San-no-U appears, play it Chi --> Hi-meri instead, or vice versa. [/size][/font]


[font="][size=14.0pt]Of course, the tone color will be very different, but the pitch itself should be identical. In the above case, the Hi-meri will tend to be high and the San-no-U will tend to be low in pitch. Play them in context until you are confident you can hear the same pitch. [/size][/font]


[font="][size=14.0pt]2)Some notes are easily influenced by what comes before. [/size][/font][size=14.0pt][/size]


[font="][size=14.0pt]For example, Ro --> Tsu-meri as opposed to Re --> Tsu-meri[/size][/font]


[font="][size=14.0pt]Another example is Hi-meri --> Chi as opposed to Re --> Chi[/size][/font]


[font="][size=14.0pt]In the first case, it is relatively easy to play an accurate Tsu-meri after a Ro. However, it is challenging to play a correct Tsu-meri after a Re because it will tend to be high.[/size][/font]


[font="][size=14.0pt]In the second case, it is easy to play a correct Chi after a Re. However, after a Hi-meri it is all to easy to play a Chi too low. [/size][/font]


[font="][size=14.0pt]These are just a few examples of many. One of the greatest challenges in shakuhachi is to play different notes at the same pitch. However, this is also one of the most compelling qualities of shakuhachi music. [/size][/font]


[font="][size=14.0pt]To bring out the best qualities in the music and your own playing, start a habit of checking your pitch by either comparing different fingerings that should be the same pitch (1), or the same note after different notes (2). If you do this regularly you will find it makes a great difference in your playing. [/size][/font]

文慶 2015-6-21 09:46

回復 1# 的帖子

:)0
頁: [1]
查看完整版本: A-22.Checking Your Pitch檢核音準